MELODIES RECORD CLUB #003: HUNEE SELECTS

TRACKLIST: A1. Digital JusticeTheme From šIt™s All Gone Pearshaped› B1. Dorothy AshbyFor Some We Loved B2. Frantz Tuernal-Koultans OVERVIEW: We™re glad to be back with the third instalment of our new series of DJ and Artist curated 12› mini compilations: Melodies Record Club. Following Ben UFO and Four Tet™s selections last year, Hunee helms volume three which includes three tracks this time including music from Digital Justice, Dorothy Ashby and Frantz Tuernal. Available early November in loud 12› format. In his own words: « These three distinct pieces of music tap into different layers of my memory. One being part of the imagination, the other two rooted in the memories of a special morning in the woods of Houghton (and other times and places). On one side we have a beatless ecstatic piece of electronic music by Digital Justice called Theme From ˜It™s All Gone Pearshaped™. Originally released in 1994 on Rob Gretton™s (ex-manager of Joy Division and New Order) label Robs Records, Pearshaped is a 13 minute live jam from two friends messing around in a loft studio full of synths, inadvertently creating magic that can štake many shapes and forms in the hands of a DJ and the movement of a dance floor, whilst its harmonic counterpoint shines through the wildest mixes and combinations› On the flip, we have Dorothy Ashby™s spiritual piece featuring Koto and spoken word šFor Some We Loved› from her classic album šThe Rubáiyát Of Dorothy Ashby› originally released in 1970 on Cadet and Frantz Tuernal™s šKoultans› originally released in 1986 by l™AMEP (Association Martiniquaise d™Enseignement Populaire) which was also a school in Martinique. šAfter dancing to a set from Cedric Woo at an intimate, after-closing dance party at Brilliant Corners called šFreedom Suite› which completely re-calibrated my sense of experiencing and dancing to music, I went home and immediately searched through my collection for music to listen to and potentially play with these new found sensitivities - the very physical experience of music, the pulling force pushing one into the transcendence of time and space. Dorothy Ashby™s ‚For Some We Lovedšimmediately took me back to that feeling and opened up in front of me an otherworldly-world through it™s free flowing polyrhythms and sparkling Koto playing. I have yet to play my own ‚Freedom Suitešnight, but I hope when that moment comes, I can give back what I have received back then, and ‚For Some We Lovedšis a first step in trying just that.›šI have been shown Frantz Tuernal™s privately pressed 12šcontaining ‚Koultansš by my trusted music friend Nicolas Skliris from Paris a few years ago. An unlikely piece of music (a Zouk song with flamenco-inspired guitar playing) from Martinique that was both a highlight back at Giant Steps when I played the song 3 times in a row in the early morning, and a few weeks later in the woods of Houghton where a few thousand dancers were deeply moved to its melody, when the sun came up in the morning and started descending upon the lake behind the DJ booth, bathing the smiles upon the dancers faces with its reflection.› Hunee™s instalment is out early November in loud 12› format, and the first press comes with a folded A2 insert with words from and about the Artists. Graphic design by Atelier ChoqueLeGoff, illustration and animation by Nevil Bernard and for the audiophiles out there, remastered and cut at half speed by Matt Colton at Metropolis Studios! More volumes with more music coming soon, stay tuned!